I try choose titles for my pieces that serve as a question or an observation, adding another layer of depth — whether they probe for understanding or proclaim a bold statement.

When I create art, I always find myself balancing between seeking and stating. Am I asking or telling? Does this bold splash of colour probe or proclaim? Sometimes, I want my work to invite curiosity, while other times, I want it to confidently assert itself. I love how a single piece can wonder or declare, leaving the viewer to decide if it’s an open-ended exploration or a final word. In the end, I don’t think meaning should ever be set in stone, whether I’m questioning or confirming, the magic is in the interpretation.

In the art world, I often notice a tendency to justify a piece through elaborate explanations, but I believe art should speak for itself — whether it’s asking or telling, probing or proclaiming; the real magic lies in how it’s perceived. Sometimes, it’s simply about appreciating its visual impact without deeper meaning.

Realism, in particular, embodies this idea of art reflecting the world as it is, often without embellishment or idealisation. It seeks to capture the everyday and the mundane, presenting subjects in their true form, free from the filters of romanticism or abstraction. In my own work, I embrace realism not just as a style, but as a way to invite viewers to engage with the familiar and the relatable. By portraying ordinary scenes or figures, I encourage contemplation about our shared experiences, prompting questions like, “What do we overlook in our daily lives?” or “How do these moments resonate with our own stories?” In this way, realism serves as a powerful vehicle for connection and reflection, allowing viewers to find meaning in the simple act of observing.

I work primarily with graphite, charcoal, and acrylic paint, using each medium to explore the balance between precision and expression. Graphite and charcoal allow me to create depth and texture, capturing both the bold and the subtle with rich contrasts and delicate shading. Acrylics, with their versatility and fast-drying nature, let me build layers and experiment with colour in a way that feels immediate and intuitive. Occasionally, I dabble in oils, drawn to their depth and fluidity, allowing for a different kind of movement and blending. No matter the medium, my work always seeks to ask or tell, frame or wonder, capturing moments that exist between observation and interpretation.